Dear Angel of Death Documentary Poetry In which Bette Davis—given her

In which Bette Davis—given her break by Cukor—watches herself in Waterloo Bridge (the 1940 remake Cukor had been meant to direct)

Sarduy invents new forms to engage questions of identity

Books of the Year 2020

'In the absurdist

Tirade en Vrij Nederland

Dear Angel of Death Documentary Poetry In which Bette Davis—given herSimone White Half poems, half prose, Dear Angel of Death braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a black? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness is and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel